The Omnipressor, the pioneer of dynamic effects processors, emerged in the early 1970s, conceived by Richard Factor, the founder of Eventide. John Paul later redesigned it for production, and it revolutionized the music industry by enabling a plethora of effects. With its dynamic modification controls being fully adjustable, the Omnipressor ushered in the concept of 'side-chain' and predicted commonly used techniques such as 'look-ahead' processing that we use today.

Key Features:

• Dynamics Processing — capable of creating otherworldly sounds
• Dynamic Reversal — the first of its kind, soft signals come out loud and loud signals come out quiet, simulating tape reversal, a near unique attribute of this versatile compressor
• Function Control — sets a ratio over a continuous range allowing extreme expansion, to infinite compression, and is even able to push further into dynamic reversal
• Variable Control of attack and release time
• Variable Control of maximum gain and maximum attenuation
• Side Chain allows the level detect of the Omnipressor to be driven by another audio source
• Gating — amplitudes of signals that fall below a set threshold are ‘squooshed’
• Expansion — widen a signal’s dynamic range, louder gets louder, softer gets softer
• Compression offers variable control of compression ratio
• Infinite Compression — if you want everything to come out at the same level, this is the feature for you
• Limiting — a fast, versatile limiter, useful for maintaining a loud sound
• Intuitive Interface — clean and easy to operate
• Dozens of presets to help you explore and learn the unique workings of the Omnipressor

System Requirements:

Mac

• macOS 10.9+
• Intel and Apple Silicon AAX 64-bit
• AU 64-bit
• VST2 64-bit
• VST3 64-bit

Windows

• ​​Windows 8+ AAX 64-bit
• VST2 64-bit
• VST3 64-bit